Citie Ballet frequently works with local musicians and artists to bring performances that reflect Edmonton’s collaborative spirit. We are fiercely proud to be part of the vibrant arts and culture community, and to tour, collaborate and partner with various local arts groups throughout the season.
Yukichi began his training in Tokyo, Japan before attending the Hamburg Ballet School in Hamburg, Germany. Upon graduation, Yukichi joined the Hamburg Ballet and rose to the rank of Soloist. During his time in Hamburg, Yukichi danced many soloist and principal roles and performed as a guest artist with the Bavarian State Opera in Munich.
Under the mentorship of director John Neumeier, Yukichi began to explore choreography and has been developing his choreographic voice. In 2006, Yukichi joined the Alberta Ballet as a principal dancer and has delighted audiences in roles such as Elton Fan in Love Lies Bleeding, Puck in A Midsummer Night’s Dream, and Mozart in Requiem.
Yukichi has been an active choreographer for Alberta Ballet creating Tubular Bells, Seven Deadly Sins, Temple, Carmen, and Rite to name a few. He has also created works in Japan and for the Hamburg Ballet. Along with his career as a dancer and choreographer, Yukichi has found time to share his knowledge and skills as a teacher in ballet and contemporary both locally and internationally.
Nulle Part is an electronic production duo that makes hazy melancholic music inspired by the concepts of place, longing and loss. To achieve their rich, layered sound, the duo utilizes an arsenal of analogue synthesizers and drum machines, detuned cut-up vocals, and clouded pianos. Their music is then further washed by their shared love of vintage tape delay and reverb units.
Active since 2012, Nulle Part has participated in a wide range of interdisciplinary art, dance and film projects, including performing as part of the Art Gallery of Alberta’s “SONAR” sound art exhibition (featuring Yukichi Hattori), soundscaping the Edmonton Arts Council’s “Ramble in the Bramble” installation art show, composing a 30 minute piece for Yukichi Hattori’s “Solo?” ballet production at Calgary’s Fluid Festival, and scoring Edmonton filmmaker Kellen Frost’s “Zero” film and trailer, among others.
Duo: Ben Good and Jason Troock
Edmonton-based Maria Dunn performs at folk festivals, theatres and conferences across Canada, Europe (UK Tour 2015; 2008 Celtic Connections, Glasgow; Netherlands 2011) and the US (2006 Smithsonian Folk Life Festival, Washington, DC).
As a past Juno-nominated songwriter, Maria draws deeply on the folk tradition of storytelling through song. Melding North American roots music with her Scottish-Irish heritage, she sings about the resilience and grace of “ordinary” people, past and present.
With producer Shannon Johnson, she released Gathering (April 2016), a collection of songs inspired by love—the love of family, community and humanity that connects us and fires our actions to make the world a better place.
Her previous five independent recordings include: Piece By Piece (2013 Canadian Folk Music Award Nominee), The Peddler (2009 CFMA Nominee), and For A Song (2002 Juno Nominee).
Alysa Pires is an Honours BFA graduate from Ryerson Theatre School and completed her Dancer-in-Residency at the Heliconian Club of Toronto this past season. Her extensive career has brought original works to many dance companies across Canada, as well as her newly founded company, Alysa Pires Dance Projects, which made its full-length debut at the 2016 Toronto Fringe Festival.
Her work in theatre includes choreography for ten musicals on an international scale in a series of world premiere plays by Judith Thompson, Velina Hasu Houston and Timberlake Wertenbaker. In July 2014, Alysa represented Canada and performed as part of the Tin Forest Theatre Festival in Glasgow, Scotland in celebration of the Commonwealth Games.
Alysa was the sole North American, and only female, selected as one of four international choreographers to participate in DanceEast’s ChoreoLab in Ipswich, UK in April 2013 and also participated in Toronto’s Emerging Artist Intensive in 2014.
Andrea House is thrilled to share the stage with these talented dancers and musicians. Recent credits include Folkswaggin‘ (Mayfield Dinner Theatre), Forget Me Not (Fort Edmonton) and In the Stardust of a Song (Cabaret series, Citadel Theatre). A Sterling Award winner, Andrea has performed with many theatre companies including Teatro La Quindicina, Shadow Theatre, Theatre Network and Theatre Calgary.
Andrea’s own music has been featured in many radio, television and film projects including The Vinyl Cafe (CBC). This summer she performed with members of the Edmonton Symphony Orchestra and Calgary Philharmonic Orchestra at the C’mon Festival. Andrea also wrote and performed in the music filled adventure, Valentine’s Train, at the Edmonton Fringe Festival. Other musical highlights include performing at the Edmonton Folk Music Festival and opening for The Blind Boys of Alabama at the Winspear Centre.
Chris Andrew is a Galaxy Rising Star Award winner pianist, with 24 years of experience in the music industry. His band, The Hutchinson Andrew Trio, won the prestigious “TD Grand Prix Award” at the Montreal Jazz Festival in 2013. As a bandleader, he has been nominated five times for the Western Canadian Music Awards’ “Best Jazz Recording”. He has also had the honour of working many times with the Edmonton Symphony Orchestra.
Currently, Chris is working on co-writing the music for a Decidedly Jazz Dance production, and composing music for the Alberta Dance Theatre production of The Wonderful Wizard of Oz. He is also composing and arranging music for the Hutchinson Andrew Trio, The Lily String Quartet’s upcoming album and plans to record his own solo piano work.
Guest Ballet Mistress
Caroline was trained at the Royal Ballet School in London, England for 9 years, and upon graduation, joined the Het Nationale Ballet in Amsterdam, where she danced for 6 years.
Caroline danced with the Royal Winnipeg Ballet from 1988-2000. Since 2007, she has been teaching, coaching and setting repertoire in the Professional and Recreational Divisions of the RWB School.
She also works extensively with the Royal Winnipeg Ballet Company, mainly assisting in the staging of classical pieces such as Giselle, Swan Lake, The Nutcracker and Sleeping Beauty.
Caroline’s main focus with the RWB School is now the Aspirant Program, a full-time, intensive, post-secondary training program designed for advanced level classical ballet dancers who are making the transition from student to professional dancer.
Guest Ballet Instructor
Johnny Chang comes with a lengthy and impressive history of international ballet experience. Originally from the People’s Republic of China, Johnny began his craft as a principal dancer with the National Ballet of China, touring with the company in the US, UK and Russia. He began his North American career with the Houston Ballet in 1979 and returned home to the Beijing Dance Academy Ballet Company in 1981.
Starting to grow Canadian roots, Johnny joined the Royal Winnipeg Ballet as principal dancer in 1992 and moved on to become a Resident Guest Artist in 1999/2000. He was appointed to full-time Ballet Master in 2002 and Senior Ballet Master in 2010.
Internationally renowned, Johnny has studied and worked with many acclaimed teachers and choreographers, including Ben Stevenson, Dame Margot Fonteyn, Dame Alicia Markova, Sir Anton Dolin, Rudolf Nureyev, Sir Peter Wright, Rudi van Dantzig, Alexander Grant, Melissa Haydem, Ronald Hand, Azari M. Plissetski, Yuri Grigorovich, Merle Park, Sallie Wilson, Merrill Ashley, Faith Worth, Galina Yordanova, Mark Godden and Val Caniparoli.
Erik is an Edmonton-based musician who has been widely recognized for his musical versatility, including music direction, collaboration, studio and improv performances, and musical education. Locally, he has won a Sterling award for his work on The Last Five Years (Theatre Network) and being nominated for Drat! The Cat! (Plain Jane) and Honk (Grindstone Theatre). Additionally, Erik has composed music for beloved fairy tales Jack and the Beanstalk, Cinderella and Robin Hood for Fort Edmonton Park, and What Gives, An Expert Guide to the Entirety of Music and The Nutcracker Unhinged with Teatro la Quindicina.
Erik has performed in over 700 shows with the Alberta Opera touring company, including Hansel and Gretel, and has worked with the Citadel Young Companies both as an educator and as music director for Heathers.
Utilizing his musical improv skills, Erik is also a member of Rapid Fire Theatre’s ensemble, has toured the North American fringe circuit with 11 O’Clock Number, provided music for many shows including Off Book: The Improvised Musical and has played with internationally renowned improv companies including Die-Nasty, Rocket Sugar Factory (Austria) and i Bugairdini (Italy).
At heart, Erik is always learning and developing his craft and is a devoted student of jazz. In his spare time, he is part of a trio for hire for private functions.